Silk 1882 ballgown
comments (24) December 19th, 2009 in design, garment construction, fabric, reader's closet1882 ballgown for the Cowboy Christmas Ball at the National Cowboy and Western Heritage Center in OKC. Historically correct from the lining up. The design was one of my own and borrowed ideas from exant dress on antiquedress.com as well as period fashion magazines from my collection.
I had purchased the silk brocade/jacqard some time ago on a sale table, and when I knew I had to create a gown from what was already in my stash, this called out to me.The gold is a light- taffeta weight silk. While the soft white satin is a heavier/drapier piece.
The skirt is built on a foundation utilizing multi- layers that only exend on the cotton base as far as will show on the finished garment- thus, reducing bulk at the corseted waistline. False hems of drill are used on all parts of the gown to provide weight, flow and strength. Undermost front, faced satin bottom is edged first with embroidered net lace, and then with a 10 inch wide book lined knife pleated ruffle. This is covered by a dagged and piped front overskirt. This in turn is topped by a beaded front apron that was hand beaded onto a twill tape waistline, and tacked in place along the sides to hold it center front. A draped side skirt piece was then added to the sides. The back of the skirt was faced with satin and then trimmed on the top with the embroidered net lace. The back drapery of the skirt was cut wider and longer than the foundation skirt. it was then self lined, and book lined pleating was added to the hem of this drapery. When the arrangement was final the draping was hand sewed along the sides and around the base of the the pleating to hold it in place during the dancing. It was finished out by a satin bow, tacked in place to keep it looking neat.
The bodice is cut in true 1880's style and is completely flat lined and boned. It features hand covered buttons spaced an inch apart, and a low square neckline- when set off by the hand stitched ruffle gives it a Queen Anne look. The sleeves have a pleated insert down the side at an angle. This seam is set off by embroidered net lace. Embroidered net lace ruffles at the elbow and a hand stitched pleated trim over the top of that.
What sets this gown apart is detail- from using a period correct drafting system, to copying extant garmet construction techniques.
Pattern or design used: My own design - Marna Davis
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Comments (24)
I love the style of dresses from the 1800s to 1900s and your creation is what I long dreamed of wearing as a wedding gown...
I shall have to look up your previous posts!
Keep up the fantastic work!!
Posted: 8:44 pm on April 26th
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Posted: 10:32 pm on February 2nd
http://trulyvictorian.netfirms.com/ carries larger size patterns
There are several books Kristina Harris has a few- try 59 Turn of the Century Fashion Patterns. I had at one time figured out the "scale" that one needed to multiply the given numbers by to come up with the correct measurements in that particular book, but seem to have mislaid my "Cheat Sheet"
Posted: 8:49 pm on January 2nd
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Posted: 11:00 pm on January 1st
The reason I learned to draft patterns is simply because I was hard to fit- narrow shoulders, large bust and small waist- Personally I would try my hand at drafting my own rather than trying to grade up- again when I get back to my sewing room I will look up a link or two that may help.
Posted: 7:40 pm on January 1st
Posted: 1:03 am on December 30th
Posted: 5:21 pm on December 28th
And ~ thank you for coming back to answer questions. Here's another one ~
I don't recognize the term "book lined pleating" - How does one do that? TIA
Posted: 9:58 pm on December 27th
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Posted: 5:15 pm on December 19th
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