Hands-On With Kleibacker: Lessons for Working with a Bias

comments (19) January 6th, 2010 in sewing, design, garment construction, embellishments

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Charles Kleibacker
Lesson 1 - a muslin square pinned to show the drape of a true bias
Lesson 1 - a center-front seam on bias allows identical drape
Charles Kleibacker

Charles Kleibacker

Photo: David Page Coffin
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In the Kleibacker studio, all neckline (and top back edges to many designs) were eased
with seam tape to reinforce them and prevent any possibility of stretching. For the muslin, the seamline at the bust was eased differently. Here, a tiny hand-sewn running stitch was made both at the seamline and just above it in the seam allowance. These two threads were pulled to the desired measurement. The fabric was carefully pressed on the wrong side and then pinned to the corresponding seamline for slip-basting.

To Slip-Baste A Right-Side Pinned Seam


After carefully pinning any seam from the RS to establish its position or to arrange an eased seam, slip-baste by working a short needle through the bottom layer, using a running stitch that comes up into the edge-fold of the top layer.

 


When ready to sew, turn garment inside out, and unfold the seam allowance. Then machine-stitch on top of the slip-basting. Slip-bastings must be removed before you press the seams.

 

Lesson 5 - Baste some bias seams before cutting, and stretch them while machine-stitching.

After transferring the seamlines from the pattern to the layers of fabric positioned right sides together as described in lesson 1, the bias seams were always hand-basted while still flat on the cutting table and before the pieces were cut because bias edges tend to stretch once cut. Certain bias seams, typically center-front and center-back seams, edges of sashes and bands, and the narrow cording often called "spaghetti straps" were also stretched during the machine-stitching process, ensuring the seams would never break. (Bias seams joining asymmetrical pieces were usually not stretched.) To allow for this intense stretching, such seams must first be hand-basted with short, overlapping running stitches. To do this, start at the seam end with a knot, baste about 6 inches, and cut the thread. Then, without knotting the end, baste another 6 inches, overlapping the last few stitches of the preceding basting. Repeat about every 6 inches, tightly securing the basting at the very end. To make spaghetti straps, cut true bias strips 3/4 inch wide, fold them in half lengthwise, hand-baste with overlapping running stitches, and then stretch as strongly as possibly while machine-stitching along the center of the strip. Turn without trimming the seam allowances, allowing them to fill the turned tube. For maximum skinniness, stretch the straps on the ironing board, pinning the ends. Steam heavily by holding the iron closely above them, restretch, and let them dry.


Sew short overlapping lengths of basting stitches before stretching fabric, and stretch the strap while machine-stitching.

 


Stretch the strap while machine-stitching.

 


Charles Kleibacker stretches a bias band after it has been machine-stitched to make sure it shows no signs of broken thread.

 

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posted in: sewing, design, garment construction, embellishments

Comments (19)

LauraBolcina LauraBolcina writes: Very interesting. Anyway, there's something I don't clearly understand. What are those yellow dots on picture two on page 3? I suppose it's not the running stitch - it should be pink. Where is the running stitch then? Thank you for help!
Posted: 1:22 pm on August 5th

truffie258 truffie258 writes: What an amazing designer! I wish I had knew more about him while he was alive...his work is so beautiful and timeless. Simply elegant!
Posted: 11:27 am on August 31st

fabricmaven fabricmaven writes: Thank you to the universe that there was a Charles Kliebacker, how fortunate are we that he would share his genius before his passing? I have a passion for cloth cut on the bias. Hope I can acomplish half his contribution. Thank You Threads.
Posted: 11:55 pm on January 18th

Lady_Jaydee Lady_Jaydee writes: Fan-dan-tastic! Enjoyed reading about this intuitive, textual (no pun intended) man. You just "know" his fingers can do this automatically, without thinking. How gifted is that? Speaking of gifts, if we remember not to shoot the messenger, we can all appreciate some pretty great "message gifts". If we get bogged down in semantics and pickiyune stuff, we may discourage others from contributing for our benefit as this article does. Some of us are more into "the doing" of it than the writing of it, and, darn it, some of us, it seems can do it ALL! I guess there's room for all of us. If it shrieks at you, try to calm down and see what it's SAYING. When you write your own book or article, you can make it perfect and we'll all cheer for you! /j/
Posted: 5:58 pm on January 17th

trishapat trishapat writes: The attention to detail in the construction process, figuring out what works and why and then taking the extra time to do it in the way that will produce the best results is one of the things that sets people like Charles Kleibacker apart.

it also shows us how the masters approach things ... they care! A LOT. They pay attention – close attention.

This is fantastically helpful information for all of us so that when we want to make something cut on the bias we can do a better job of it. And, if we apply those same high standards to everything we sew we'll aways get better results.

Vicki, thanks for putting this up and for the time you spend editing and re-editing ... paying attention to all those details for all of us picky peop ... er... detail oriented people. I bet ol' Charles K. would approve.
Posted: 2:36 pm on January 13th

azbarbara azbarbara writes: David, What a blessing it is that you share the experiences that you had with Mr. Kleibacker. Thank you!
Posted: 11:36 am on January 13th

glogee3 glogee3 writes: I had a class with Mr. Kleibacker in the late 1980's at Wayne State University in Detroit. We drape his famous bias skirt. He always encouraged you when you thought you couldn't get your running stitch any smaller. He will sorely be missed.
Posted: 3:49 pm on January 12th

Clarasita Clarasita writes: Whoops, I think I created a dangling something or other. I am the former Occupational Therapist, not the bodice or picture of it. Guess there should have been a "to me to be" between "appear" and "backwards". Oh wait, that's not correct, either. Now I'm nervous about the grammar police. Hope they're not "coming to take me away, ha ha!".
Posted: 3:42 pm on January 12th

Clarasita Clarasita writes: The typos re spelling may be corrected, but as a former Occupational Therapist the references to right side vs left side of bodice appear backwards. I'm looking for the right side of the bodice, not the right hand side of the picture. Loved this article when originally published, but it seems more precious now.
Posted: 3:37 pm on January 12th

nljbrown nljbrown writes: Sorry, ladies, but the typos drive me nuts... :) I was a proofreader for Harcourt Brace in my college days, and they literally jump off the page and assault me!

The article and photos are wonderful. These are the kinds of articles that make me wish I could sit at the sewer's feet and learn in person. Sometimes it's hard to understand exactly what's being done unless you actually see it done.

Thanks for sharing!
Posted: 12:36 pm on January 12th

Muppet Muppet writes: What a wonderful article!! I too would love to have a book on Mr. Kleibacker's work. I so enjoy these type of articles.
Posted: 10:55 am on January 12th

maryguanay maryguanay writes: Trabajar al sesgo requiere de sierta pericia y mucha paciencia, para obtener un trabajo de alta calidad. Los vestidos, blusas y faldas cortadas con esta técnica garantizan una figura esbelta y delicada. Este tutorial constituye un elemento fundamental en el aprendizaje de los diseñadores de moda, modistos y costureras. Muchas gracias por permitirnos tener al alcance estos conocimientos.
Posted: 9:44 am on January 12th

JanetNVa JanetNVa writes: Wow! I love it. I might be able to sew if I can do it by pin and baste-by-hand. I have never been able to do the machine part even though I can spin a fine thread and weave a fine cloth. I may just need "permission" to pin & baste my way through a garment.

"Bad Spellers of the World, Untie!" I don't recognize typos, so they never bother me. ;o)
Posted: 8:30 am on January 12th

Katielynne Katielynne writes: I agree that this is a lovely way to pay tribute to such an innovative and vital person in the fashion industry. I'm so happy to read (in part) how he achieved such wonderfully crafted garments. (Side note to Vicky: there are still a handful of typos in the article after editing, but I could still understand what was intended. If you need copy editing help, I'd love the job! Just let me know! Seriously! :o) )
Posted: 2:57 am on January 12th

UrbanGoddess UrbanGoddess writes: Wow. What a privlege to be able to learn some of his secrets. I didn't notice any typos... I was enthralled with imagining how his fingers just "knew" what to do. I would love to have a whole book of what he knew!!
Posted: 10:44 pm on January 11th

Linda_in_Florida Linda_in_Florida writes: I loved this article. Thank you so much for posting it. What a knowledgeable and talented man . . . The posting of this article in his honor was a very nice gestsure to Mr. Kleibacker's memory.
Posted: 9:53 pm on January 11th

pattyv pattyv writes: This is a very fascinating article to read. I did also find some typos, but I honestly cant get enough of this kind of information. Thank YOU.


Posted: 8:19 pm on January 11th

vicky_north vicky_north writes: Thanks for letting us know about the error. I believe all of the edits have been made now.
Posted: 2:41 pm on January 9th

Parb Parb writes: This article is very helpful, but sometimes difficult to read. There are many typos and it was obviously not edited.
Posted: 11:54 am on January 9th

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