Project Runway - Week 4: Hearts and Flowers
On Project Runway nights, first, I watch the show—everything up to the last six designers waiting for the verdict—and then I pause the TV. Without further influence I need to decide: Did something catch my eye? Was I transported by the brilliance of a creation? I need to sort out my own feelings and thoughts before hearing the final roll call from Heidi. During the show, to help remember the clothes, I make little thumbnail sketches of each garment—that’s not easy considering how fast the designs are shown on the runway. So, I spend 30 minutes pausing and rewinding until my eyes (and ears) are full.
Tonight, I agreed with the judges, and picked Amy to win as they did. And it seems that everyone concurred that it’s clearly time for Jesus to go home.
But now, my friends, what in the name of all that is beautiful was that thing that Anna pushed down the runway?! I thought it was an acceptable offering until I saw the skin-toned racing tank top under it. Tell me that was unfortunate lingerie and not part of the dress. What was she thinking?
As for the “Safeties,” as I’ve decided to call the group that’s dismissed early—Take another look at Ben’s dress—the waist and back is stunning. Jay’s dress was also quite lovely as was Jonathan’s. Janeane’s dress had a mixture of qualities but when she said, “I put some flowers on the top and it has a nice hem—so I did my job.” I wondered if her garment might suffer from a lack of enthusiasm. What did you think of Mila’s stars this week? Were you happy with the winner?
Anthony Williams

Anna Lynett

Janeane Marie Ceccanti

Emilio Sosa

Posted on Feb 5th, 2010 in sewing, design, designers



























Comments (16)
Posted: 3:24 pm on July 14th
Posted: 3:23 pm on July 14th
Posted: 4:38 pm on February 11th
Posted: 5:05 pm on February 9th
Posted: 10:52 am on February 9th
Posted: 9:24 am on February 9th
Posted: 6:34 am on February 9th
And yes, it was time for Jesus to go. I actually didn't think his dress was as horrible as the judges stated. I thought Anna's was much worse. She did a huge disservice to the woman she made the dress for. It did make her look huge up top. I felt sorry for her model. To be told in front of millions of people how awful your gown looks based on your body type would certainly put a damper on your mood!
And speaking of models, I was impressed with Seth Aaron's. She told SA that it was good he stayed true to himself-- afterall, despite that it was a different look than she had originally described to him as her preference. I have never heard a 'real' model (or even a cookie-cutter, for that matter) say such a thing when presented with an opportunity to help create a garment they adore. She kept him in mind more than herself.
Maya's idea was great in the workroom, but translated into an ill-fitted garment in the bust. Most unfortunate. It was a good idea. Didn't care for Mila's. Again, too graphic for my taste, although I did love the neckline. She has construction down pat for sure.
The long-haulers are being revealed.
Posted: 10:21 pm on February 8th
Posted: 6:46 pm on February 8th
I think this is the first PR episode I've ever seen that didn't leave me scouring the internet for at least one picture to put in my inspirations folder. And I can't help but feel the campbell's element was very tacky. I mean really, had the designers been told to design an evening gown for any other runway, how well would the judges have responded to randomly placed cotton logo fabric? It seems like a number of those dresses were really cheapened by that addition. I'm assuming Campbell's helped sponsor the challenge and wanted to get some good PR out of it, however I think a few commercials during the show and an announcement (or even several) during key parts of the episode would have done the job as well without forcing the designers to do something stupid. I guess that fabric/logo could have worked out ok if they were going for a more casual outfit for their models.
Posted: 5:24 am on February 7th
Posted: 8:32 pm on February 6th
As the challenge was really boxed in where the lengths of your creativity were restricted with red which is a colour if not the right hue or type fabric can be translated tacky. But the women felt empowered which was the point but difficult all the same as it's a competition.
Posted: 8:11 pm on February 6th
Posted: 12:20 pm on February 6th
Part of what bothered me about Maya's was the fit over the bust. It looked as if the gold swirl was squashing everything down on one side--not as flattering as it could be. A better understructure might have helped?
I loved Jonathan's choice of fabric, and his dress was beautiful from the waist down. But the front bodice didn't do his model any favors. She's narrow and slender and those cutaway armholes made her look scrawny, with her bust resting practically at the waistband. To my eye, the proportion was just off, and I don't think it had to do with her body. The back looked great, though, and the color was wonderful on the model.
Mila's stars: they looked better in the sketch than on the actual dress, but the model did carry if off really well, and overall the silhouette and neckline were kind of terrific on her statuesque figure. (Imagine that gown in 4-ply silk crepe, with the stars incorporated into the dress fabric using Pamela Ptak's "Couture Insertion" technique. Now that would have been amazing!) The Campbell's trim seemed tacky and costumey, and in a "real" garment should be replaced by something more elegant.
I'm carrying on! I guess my impression was that the designers who really expressed an interest in making their specific models look and feel wonderful ended up with the most successful garments. They actually assessed the figures and worked with them, rather than trying to squeeze a natural, normal body into something that would work only on a 6-foot-tall, size 2, 18-year-old. There were too many places where volume wasn't well controlled (Anthony's ghastly vest), proportions didn't work (Jesse's ensemble), and strange bits of stuff were applied here and there (Janeane, Anna, Jesus). All those garments might have been cute on some slouchy teen, but weren't suitable for grown-up women, no matter how lovely and inspiring (as all the models were).
Posted: 12:11 pm on February 6th
I would liked to have seen more of Jay’s dress as well as Jonathan’s. Jay's design was noteworthy, his design for 'his lady' took into consideration the challenge, her body type and made her look elegant. It's unfortunate that those relegated to 'safety' positions don't have enough exposure to examine more than the disaters.
Posted: 9:00 am on February 6th
Since all the dresses were red, I squinted to get a sense of design and impact ... my winners: Amy Sarabi, Jonathan Peters, Maya Luz and Jay Nicholas Sario. My fav'-- Maya Luz.
Squinting, Anna Lynett's offering looked fresh, young, and interesting, but ... Emilio called it, her inexperience in construction and fit really shows. Having never made a strapless dress, I would also resort to a skin-tone tank for a "hold-it-up-maybe-they-won't-notice" effect. Full disclosure: I live in SE Wisconsin so I'm rooting for Anna to make it, at least a little further ...
Mila Hermanovski and Seth Aaron Henderson's dresses looked like the hostess and service person at a restaurant that makes the staff wear coordinating dress-ugly uniforms.
The guest models were awesome. And as an arm-chair critic, I am _amazed_ at what all the designers create with limited time, budget, and range of design requirements. Love PR!
Posted: 9:30 pm on February 5th
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