Trimming Tricks
comments (32) March 29th, 2010 in sewing, garment construction, tips & tricks, fundamentalsThe most important sewing techniques that every sewer should know are never directly visible on a completed project, yet they’re essential to giving that project a truly professional finish. Trimming seam allowances properly on enclosed seams is one of those steps that will quickly improve your sewing. I learned some tricks years ago that have made all the difference for me, whether I’m making a simple garment or a one-of-a-kind work of art. If these procedures are apparent to you, consider this a refresher course. But if you’re a novice or have learned to sew by seat-of-the-pants trial and error methods – add these simple steps to your sewing arsenal.
Making the Grade:
When you add a facing, make a collar, sew a pocket, cuff, or waistband – anything that requires the seam allowances to get pressed together and hidden on the inside – you need to trim those seam allowances to different levels so they won’t create a ridge on the outside of the fabric. This is called grading. When you grade a seam, you want to be sure the wider seam allowance is the one that is closest to the right side of the garment like the upper collar, for example. You can do this in a 2-step process: trim them both and then go back and trim the lower seam allowance a bit more. But here’s a trick that makes grading easy and the result is exactly what you need: simply hold your shears at an angle while you trim both seam allowances together. This removes a little more fabric from the seam allowance that is toward you – just enough to make the grade!
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Grading can be done in one step when you angle your shears while trimming the seam. |
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This levels the fabric, leaving just a bit more on one side. |
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When the edge is turned and pressed there’s no visible ridge on the outside. |
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Without grading, a ridge may appear. |
Take it Up a Notch:
When you sew convex curves, like those around a collar or pocket, the trimmed seam allowances don’t have enough room to lie flat so they form ripples when you turn the fabric to the right side. You can make room by cutting out some pie-shaped wedges around the curve. These notches create just enough space to make your curves smooth and flat when pressed. And when you’re working with lightweight fabrics, trimming around the curve with pinking shears does the job.
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Here's another trick: When sewing around a convex curve, shorten the stitch length as you go around the bend and you’ll get a much smoother edge. |
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Always press seam allowances open before you turn to the right side – whether the edge is straight or curved. Sometimes using your fingers is enough to open out the seam or use the point of the iron. |
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When you turn a convex curved seam, the seam allowances ripple because they don’t have enough room to lie flat. |
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Notch the seam allowance at intervals to create some space. |
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Notches create space for seam allowances to spread around a curve. |
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Picking shears are natural notchers. |
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Proper trimming and pressing results in a perfect curve. |
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Comments (32)
Posted: 4:26 am on September 1st
My mother used to say "you can't please all of the people all of the time but you can please some of the people some of the time", and those "some of the people" are very grateful for these tips!
Thanks for sharing.
Posted: 5:09 pm on July 11th
Posted: 9:18 pm on May 26th
Posted: 8:05 pm on April 12th
Your question about pressing a seam open before pressing it together is a good one. You need to do it to open out the seam so when you do turn the collar, or whatever, to the right side you don't have to struggle to get a neat, crisp edge. The best tool you can have is a point presser and pounding block, which is essentially a very narrow solid wood ironing board that lets you get right into the point of a collar, but works when you press curves and straight edges, too. Pressing open before you turn is one of those essential steps that makes all the difference in your results.
Posted: 10:51 am on April 12th
When you understitch, you may want to do that by hand in tricky places. The reason is that when you machine understitch across these clips/notches, you can wind up undoing the 'give' and flex you added with the notches by stitching down the notches into the facing layer. If you hand understitch, you can avoid that by not biting the facing layer when crossing the notches, but allowing the thread to "float", e.g. not "bite", across those gaps.
Posted: 1:59 pm on April 9th
Posted: 11:25 pm on April 7th
Posted: 9:02 am on April 4th
Posted: 11:59 pm on April 2nd
Great ,, Keep up the good work, I look forward to all your tips, some are new to me, some I already had discovered on my own .... Thanks again..
Posted: 11:22 am on March 31st
Posted: 9:33 am on March 31st
Posted: 9:33 am on March 31st
Posted: 11:23 pm on March 30th
My daughter says that I need two people to make anything: myself to actually do it, and someone else to tell me when it's done. I do tend to be a teensy little bit of a perfectionist. When I found myself putting a zipper in a duvet cover for the fourth time (a 60+" long zipper), I finally had to tell myself that it was going to be tucked in; I wasn't planning to wear it.
Posted: 8:15 pm on March 30th
Notches need to be wide enough only to take out the excess - no larger. In other words, the edges of the notch need to meet each other when the edge is right side out. If made too wide the seam allowance changes from 4 layers to 2 layers and back again to 4- very uneven and ugly.
I've taught sewing for over 30 years and have read Threads for many years. This is not your best article.
Posted: 7:45 pm on March 30th
Posted: 1:49 pm on March 30th
Stay stitch the neck edge of both collar pieces, and interface the lower collar piece all the way to the edge. (Usually, you'd only interface to the seam line.) Sew the outer seam of the collar (the one that will be turned)with a very narrow zig zag. Trim the seam allowance as close to the zig zag stitches as you possibly can. This is a good time to go very slowly and use excellent lighting and/or a magnifier. When you turn and press the collar, nudge the seam allowance a thread's width toward the underside. I use a rounded metal spatula as a pressing aid inside of round collars. It gives a firm edge to press over, and conducts heat quickly and effectively. I keep one in my sewing box just for this purpose; it has an offset handle to make using it more finger-friendly!
Posted: 12:44 pm on March 30th
I think "duck-billed" scissors work well for grading one edge of a seam so that you don't accidentally catch the other side.
Posted: 11:16 am on March 30th
Posted: 11:13 am on March 30th
Posted: 11:10 am on March 30th
Posted: 9:26 am on March 30th
Posted: 9:15 am on March 30th
Posted: 7:39 am on March 30th
Posted: 1:26 am on March 30th
Posted: 1:25 am on March 30th
Great ideas!
Posted: 12:25 am on March 30th
As for mjbains' comment: We're not all at the same milepost along the sewing road. There are many reasons for a review of what we all have learned. As for myself, it jogs me to remember to pass along to my newbie sewing friends the things that I take for granted! We need to encourage the next generation to join the sewing party, and these 'mini lessons' help them to produce professional results earlier on.
Posted: 11:19 pm on March 29th
Posted: 10:37 pm on March 29th
The pinking shears idea is good for some applications, but Threads has certainly gotten more specialized and dumbed down over the years.
Posted: 9:03 pm on March 29th
Posted: 7:29 pm on March 29th
I just love this site.
Posted: 7:01 pm on March 29th
Posted: 6:27 pm on March 29th
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