How to Create a Lapped and Embellished Seam
comments (19) April 26th, 2010 in sewing, embellishments, fundamentalsThe design that won Best Implied Seams and Audience Choice, in last year's ASDP Challenge, featured hemstitched lapped bias strips shaped over a bustier. The gown was made with an industrial machine not available to everyone, but you can get similar results on a home-sewing machine set for a hemstitch with a wing needle.
1. Cut the bias strips, and sew the first. Cut the bias strips 2 1⁄2 inches wide. Fold the first bias strip in half lengthwise, and sew a hemstitch 1⁄2 inch from the fold.
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Fold a 2 1⁄2-inch-wide bias strip in half lengthwise. |
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Sew a hemstitch 1⁄2-inch from the fold. |
2. Pin the first strip along the top edge of the bustier foundation. Fold and press the second bias strip below the first bias strip. Align the fold just below the hemstitching on the first strip pinned to the bustier foundation. Pin the two strips together, following the contour of the bustier. Remove them from the bustier, and sew the second row of hemstitching 1⁄2 inch away from the second fold through both strips. On the wrong side, trim the seam allowance from the first strip.
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Fold and pin the second bias strip below the first. |
3. Continue adding strips. Pin the two bias strips back on the bustier. Add the third bias strip below the second as before, hemstitch, and trim the previous seam allowance. Sew all subsequent bias strips in the same manner. Sculpt the body shape strip by strip as you go. Once the bias strips cover the bustier, hand-sew them to the understructure.
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Learn more on hemstitching.
excerpted from "Seams on Stage" in Threads #138



















Comments (19)
http://sewnotmyday.blogspot.com/2011/04/since-you-asked.html
Thanks for making the article so easy to understand! It made the construction of the bodice a lot easier.
Val
Posted: 3:42 pm on April 18th
Posted: 9:39 pm on May 11th
Posted: 4:52 pm on May 7th
Posted: 5:35 pm on May 5th
Posted: 4:16 pm on May 3rd
There are many sttches that can be used. A wing needle or a large needle can be used. Finer thread than you usually sew with helps a lot also. Stitching over a piece of stabilizer helps the holes to be clean and pronounced.
It helps to take scraps of the fabric you are using and experiment with different stitches, different lengths, widths and tension. Put little notes on the strips so you know what is what ... you'll be thankful you did after trying out ten of 'em!
I thought these directions were a little on the light side, if you've never done it, it's confusing.Get Carol Ahles book out of the library and try it out. It's very satisfying to learn this and you can create lots of lovely effects.
Posted: 4:13 pm on May 3rd
Posted: 11:06 am on April 27th
Elizabeth
Posted: 1:51 am on April 27th
can we expect more, or are we going to be left hanging?
:-(
Posted: 5:02 pm on April 26th
For those of you wanting to do this on a conventional machine, the reason a specific stitch was not supplied is that it varies from brand to brand and machine to machine. The most common stitch used looks like a daisy with each pedal coming into a center hole. Almost any standard zigzag foot will work. The more advanced machines have many more options for the "hemstitch" stitch and may call it many other things including an entredeux stitch. My suggestion is to play and determine which stitch will work best on your machine. Use a larger needle to get a larger hole, even try a wing needle (a needle with flanges on two edges to make a larger hole in the fabric). Perhaps you need to increase your top tension. This stitch may require a finer thread to get a better look. There are so many variations. Check your owners’ manual, go on-line to your machine’s site and simply play.
For the lady with the Babylock Quest, as a starting point try #57 from Group 2 or try #37 or #57 from Group 4.
Good Luck,
rittab
Posted: 4:37 pm on April 26th
Thank you
Posted: 4:34 pm on April 26th
Posted: 2:46 pm on April 26th
Posted: 2:46 pm on April 26th
Posted: 2:46 pm on April 26th
Posted: 2:43 pm on April 26th
Posted: 2:35 pm on April 26th
Posted: 2:19 pm on April 26th
I'm wondering how to keep the bias strips of organza shaped into the desired formation without sewing them to a foundation piece as you go? Organza is stiff and slippery. Even cut on the bias, it likes to retain a straight line rather than a curve. So, again, what makes it capable of remaining in the curved shape which is shown on the model's bodice? I can imagine so many great applications for this technique.
Awaiting a reply. Ymana
Posted: 1:44 pm on April 26th
Many thanks.
EJCC
Posted: 12:34 pm on April 26th
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