What's your worst sewing disaster? How did you resolve it?
My more common blunders
I've made plenty of sewing bloopers in my day, including common blunders like putting a zipper in backwards or cutting two right sleeves. Years ago, I measured incorrectly when designing my wedding veil, which was a costly mistake because I ended up buying yards and yards of extra tulle. In college I inadvertently made a dress in the incorrect size, forgetting that pattern sizes aren't the same as ready-to-wear.
My daughter's dream dress
Probably my worst sewing error happened on the night of my daughter's 9th-grade dinner dance. What made this event extra special is that she (and her friends) planned to wear a long gown for the first time. She worked with me to design the dress of her dreams. It was a winter dinner dance, so her dress had long sleeves. She chose a rich, burgundy velvet in a simple, but dramatic style. The dress was stunning and fit her to a tee. She felt like a princess wearing it, and I was proud to have created it for her. Let's face it, we parents are most happy when our children are beaming with joy—especially when we played some part in bringing about that joy.
She had a try-on the night before to show my husband, and when she took her dress off, she tossed it over her bedroom chair where it remained until Saturday night—typical for a 15-year-old. It was seriously wrinkled.
The horrible blooper
The night of the dance was an emotional evening. Although I shared my daughter's excitement, part of me was sad to see her growing up—sad to see my little girl, my last born, reaching toward maturity. I had spent the previous few days thinking about how quickly she was growing up, and in a way I mourned the end of her childhood. With my mind occupied with sentimental thoughts, I turned the iron on, but didn't adjust the fabric control which was set on high. I didn't plan to put pressure on the velvet with the iron, rather I intended to let the steam ease out the wrinkles. But in my haste, I must have pressed harder than I realized. It was enough to make an iron-shaped impression on the left back side of the dress at hip level. I knew I was in trouble because brushing the velvet didn't remove the mark.
My cover-up
I think this was the only time I've ever out-and-out lied to any of my children. When she put the dress back on and noticed the mark, I said, "Oh, it's just a mark from the iron. It will disappear in no time." Thankfully, it was far enough toward the back of the dress that she couldn't see it once the dress was on. When she came home that night, however, she commented in a puzzled manner, "Mom, the iron mark never went away." She said it with a tone of surprising disbelief. Luckily for me she had a fabulous time, and the iron mark didn't stop her from having fun. However, I've seen that iron mark in my nightmares. It's a horror I'll never forget, although I can say I will NEVER make the same mistake again.
What's your most horrible sewing disaster? How did you deal with it?
Posted on Jun 9th, 2010 in sewing, garment construction
























Comments (21)
I had a near disaster when making my Victorian inspired wedding gown.
I had 10m of heavy bridal satin fabric that was the end of the roll in a champagne ivory. The gown took 8.5m and could not be recut or replaced. The front was princess line reaching from shoulder to floor. The bodice had narrow off the shoulder straps with the low cut bodice front filled in with sheer organza and lace motifs that ended in a lace collar at the neck.
While overlocking the edges along the bodice towards the shoulder... the narrow shoulder section turned back and went under the knife before I realized what happened. I could have cried!
The cut was the depth of the seam allowance and I had to carefully hand stitch the fabric together again. Luckily the seam and lining took care of the mistake and you had to look carefully to find the end of the cut peeping out of the seam. If it had been more noticeable, lace and beading would have been arranged to cover the spot.
Lesson learned??
Don't become relaxed or complacent when overlocking! Keep track of all the garment edges so you only run through the overlocker the egdes you want overlocked and trimmed!
Posted: 5:28 pm on May 22nd
Posted: 4:38 pm on September 7th
Posted: 11:07 pm on August 20th
The second was when that same dtr, now a junior in high school, wanted a prom dress in a certain color. To achieve that color, we needed forty yards of fabric! She decided to have the bodice of her dress have the top two layers of chiffon pulled and ruched to achieve a fine, pulled effect. Did I cut the chiffon on the bias? Of course not. Which meant that two layers of chiffon fell to her waist rather than pull into folds around her body. I had to sew her into the dress with fine stitches holding the chiffon in place.
The finished gown was an absolute dream, though, sort of like a pink cloud, even though it was heavy as lead with all those layers, boning, etc. One of my favorite creations.
Posted: 10:37 am on July 30th
Posted: 5:12 pm on June 28th
Sondraleigh didn't say that rayon (in general) is not an accurate test fabric, rather her story illustrates that the fabric, and the way it drapes, affects the fit of the final garment. She made her fitting muslin of rayon which is drapey and then apparently used that muslin to cut the final garment out of non-drapey crisp cotton which hangs and fits differently from the rayon.
The trick is to make your fitting muslin from fabric of similar weight and drape as the fabric you've chosen for the final garment. You haven't said what your final garment fabric is but if you use a similar weight/drape fabric for the bodice fitting muslin (ie test garment) you'll eliminate problems. Also cut the test garment with 1 to 1 and 1/2 inch seam allowances to allow for adequate room for adjustment.
(this I've learned from my own mistakes . . uh . . creative opportunities . . . .)
Posted: 12:34 am on June 23rd
Posted: 3:40 pm on June 22nd
After choosing a lovely white satin jacquard for the top and a burgundy satin for the skirt, I carefully took my measurements and sketched out my designs, making sure to add in seam allowances. I was so pleased with myself.
Then came the first fitting. Both skirt and blouse were skin tight! I couldn't figure out where I'd gone wrong.
My stepfather-to-be saw the form fitting garments and accused me of trying to look like a hussy. He gave me money told me to go buy a dress for the wedding. I was crushed and didn't try to sew anything for many, many years after that.
It was only much later I learned the concept of wearing and design ease. ===sigh===
(And, in case you were wondering, yes, they’re still married, even after 27 years; and no, I still don’t care for him at all.)
Posted: 8:43 am on June 19th
Posted: 9:41 am on June 16th
I never did tell the bride to this day
Posted: 7:32 pm on June 15th
Posted: 3:33 pm on June 15th
Posted: 2:55 pm on June 15th
Posted: 6:57 am on June 15th
Posted: 10:01 pm on June 14th
Posted: 8:41 pm on June 14th
The next morning, I figured the only way to save it was to remake that side of the cumberbun. Luckily, I called my mother first. She gave me the best idea in the world! Since the first eyelet was in the right spot, I added the other two up the front and laced the cumberbun fronts together with ribbon. Then I took an extra piece of ribbon and laced it through the two wrong eyelets and tied it into a bow. Voila! I turned it into a designer original! Both of my daughters wore that dress many times. Only my mother and I knew the little bow was actually a cover up.
Posted: 6:57 pm on June 14th
Posted: 6:10 pm on June 14th
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Posted: 10:40 pm on June 10th
Posted: 10:34 pm on June 10th
Posted: 10:33 pm on June 9th
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