Mary McFadden Exhibit in D.C.

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Susan Khalje, contributor

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Mary McFadden combines a broad range of cultural references with her elegant style.

Susan Khalje

A dramatic black and white gown uses McFadden’s signature pleated fabric.

Susan Khalje

Asian influences are clear in this quilted coat; narrow parallel lines of quilting are another McFadden signature.

Susan Khalje

Mary McFadden combines a broad range of cultural references with her elegant style.

Photo: Susan Khalje

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I first came face-to-face with one of her garments years ago. A client had a Mary McFadden gown that needed to be altered. It was a fairly typical McFadden design – the skirt out of the finely pleated polyester charmeuse (her signature fabric), the bodice strapless and heavily embroidered. The bodice had to be taken in, and I was interested to see just how such heavy embroidery had been supported. Once I got inside, I could see that heavy crinoline (imagine heavily starched gauze) had been used as one of the inner layers. It made sense – had the underpinnings been any less sturdy, the bodice would have lost its shape, and the garment would have lost is clean, sculptural feel.

A beautiful book accompanies the exhibit (Mary McFadden – High Priestess of High Fashion), and in it McFadden says, "My goal has been to give an art form to dressing by virtue of creating some of the most beautiful hand-painted fabrics and developing new areas in pleating and quilting that have not been done before on Seventh Avenue."

A dramatic black and white gown uses McFadden’s signature pleated fabric

Detail of black and white dress.

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Comments (7)

Osal writes: @ saradipitysews

this is sad to hear. I have loved her work for years, and used to own a few of her designs. Always wondered who did the pleating...
Posted: 12:06 am on January 17th

saradipitysews writes: Mary McFadden spoke to my costume design class while I was in college. She told a classroom full of students, nonchalantly, that she used children in India to pleat her fabric. She said something about little 5 year olds having the best fingers for making the pleats. We were shocked that she seemed to think child labor was acceptable. Her designs are beautiful but her integrity is lacking.
Posted: 5:03 pm on October 13th

trishapat writes: the show was in Boston at Mass College of Art recently. There were books and a video as well as the garments shown. There were pieces of jewelry in cases too. I love seeing how she was influenced by other cultures. She had traveled a lot prior to starting to design. It would be great to find sources for some of the embroidered elements that she uses.
I did illustration for her in the late 1970's and early '80's, and didn't see any of the gowns had drawn in the Boston show or in the book. That tells me that there are even more than what are being presented in these shows.
I think she is amazing and her work is breathtakingly beautiful.
Posted: 7:21 pm on January 25th

JaniceCM writes: Mary Mcfadden is by far one of my favorite designers. I have also been heavily influenced by other cultures in what I sew,and have,since the 1970's, followed her incredible designs. Gorgeous!
Thanks,
Janice Morrill
Posted: 12:34 pm on October 10th

jofre146 writes: I am particularly fascinated by her use of macramé in addition to her emphasis on quilted and embroidered embellishment. While the large scale macramé pieces she used tend to date the clothing to the 70's, her work inspires me to create micro-macramé sections which will add a rich, Byzantine look to Fortuny-pleated gowns.
Posted: 11:19 am on August 11th

LisaS2 writes: Hi Susan!

I love these. Gorgeous details. The third photo from the bottom would be a stuning wedding gown in white/ivory, still with the gold embroidered bodice treatment. Dresses like this make me want to get married again - to the same man, or course...

be well,

lisa
Lisa Shepard Stewart
www.CulturedExpressions.com
Posted: 11:15 am on August 11th

lonieberg writes: The creations of Mary McFadden are truly awe inspiring! As a professional Alterations Lady, I am constantly encouraged by the designers and by the gowns and creations that I get in to work with. Each time, I learn something new about construction and design, (and I have a few tricks up my sleeve of my own). McFaddens use of fabric texture and pattern makes her truly unique...Aloma Cronberg........Aloma's Alterations, Laramie, Wyoming.
Posted: 10:22 am on August 11th

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