Mondo relies on the fabric pattern or print to do all the work. And he's a genius at that. Andy is clever but his clothing is too costume-like. Gretchen's work looks like it stepped off the set of Rhoda or Holly Hobbie. Michael C's work needs refinement and a bit more diversity and he could use Mondo's print mixing expertise as inspiration. He deftly cuts the fabrics and has an innate feel for the life and will of the chosen fabric - even if he can't tell you if it's jersey or georgette. He needs to get a thicker skin and stop the crying. The fashion biz is too tough to be like that. Regardless of his elimination, he'll go far.

One of the top ten things to watch with fancy fabrics is the heat of pressing and steam tools. Fancy fabrics are often highly susceptible to heat - even seemingly low heat. I always test a piece to see the effects of pressing and I've been known to "pre-shrink" some metallic fabrics by giving them a quick press with a warm iron and a press cloth. Yes, it's very unconventional but doing so removes any major wrinkles or creases. I have accidentally ruined a bodice section with steam that was too hot. It shriveled up to nothing right before my eyes, which leads me to another tip. Purchase a little extra fabric!

Thanks everyone for the the kind words. The bride was beautiful and fun to work with.

Corded petticoats have been used throughout the ages to provide fullness and were often used in place of steel hoops for practical reasons. Search the internet for "corded petticoats" - there's lots of info out there. Think of it as simply rows of welt or piping that run parallel to the hem. The number of cords depends on the stiffness and fullness desired. I used a single half-inch faile covered cord inserted in the seam between the petticoat skirt and the 10" bottom flounce.

Padded hem for dress: I padded the hem so as to create a soft fold instead of a sharp crease. Like horsehair braid, it adds body but the padding adss a sumptuousness Hope that helps answer your questions.