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Meet Threads’ Contributing Editor, Susan Khalje

Susan Khalje

Threads is fortunate to include 4 amazingly talented contributing editors on our masthead: Susan Khalje, Kenneth D. King, Mary Ray, and Louise Cutting. They are each an expert in their area of sewing interest—but their interests are extremely varied. This blog will focus on Susan. You can read about Kenneth in a previous blog post. Watch for future blogs about Mary and Louise. We want you to get to know them the way we know them—as more than simply a Threads author.

Threads: How would you describe your current career?

Susan: I always have trouble with that question because I do a lot of different things and because not everyone is familiar with couture sewing, which is my focus. I tell people it’s the sewing equivalent of gourmet cooking—and that seems to resonate. When I see a little glimmer of understanding in their eyes, I know they understand. In my heart of hearts I think of myself as a dressmaker, but I don’t really wear that “hat” anymore, and that title is a little outdated for me. Perhaps a more current and accurate description would be a dressmaker who teaches and writes with couture as the primary focus.

Threads: When you were young, did you envision this career for yourself?
Susan: Absolutely not, and though I loved Home Ec in junior high and high school, I never, ever thought sewing would be what I’d do. I wanted to be a translator of French and Russian and work for the U.N. Much to the dismay of my Russian teacher, I decided instead to go to a music conservatory, and was a classical musician for many years (including four in London). Eventually, I came back to New York. I’d injured my wrist, and that’s not good if you’re a pianist; besides, the trans-Atlantic commute was beginning to wear on me.

Happily, through a friend, I landed a job at a small couture house in Manhattan, and the rest is history. I fell in love with couture the minute I walked in the door, and it has enchanted and fascinated me ever since. As a result, I’ve had to find ways to serve that rather narrow avenue of sewing. I directed my custom business to bridal couture which is a good focus for one-of-a-kind dresses that use beautiful fabrics and need to be carefully engineered. Now that I’ve moved away from most custom work, I write about couture; I teach couture; I explore couture in Paris. I’m also working on a series of couture-related CDs. I guess you could say I’m essentially a one-trick pony—a skilled one, certainly, but I do have that narrow couture concentration in all I do. The challenge has been to find outlets for couture and directions in which my fascination with it can go.

Threads: What do you treasure the most about your current career?

Susan: I think it’s the friendships that I see develop in my classes that I value the most. A group comes together, and they’re people with strong common interests—interests that are a little bit apart from what most people are occupied with—so there’s a really powerful connection right away. I’ve seen marvelous friendships develop, and that was unexpected. I knew I could teach people; I knew I could help them do better work, but I didn’t know I’d be introducing them to a whole set of kindred spirits. That’s an awfully nice and completely unanticipated benefit.

Threads: Tell us about your current sewing space and how it works for you.
Susan: I recently re-organized my sewing space completely, and it made an amazing difference. I work out of two rooms, and both had become a mess. My business had grown, and not in a particularly organized way. The filing cabinet was in the studio; the cutting table was in the office. My big work calendar was on the wall by the ironing board in the studio; closets were ignored. My daughter’s hand-made doll house was in one corner of the office on top of an unused dresser. The wallpaper in the studio had become a sort of giant bulletin board. For someone who is generally rather organized, the situation just wasn’t helping me at all. So I decided to completely separate the two functions: the actual sewing and the business of sewing. I decided on paint colors, ruthlessly threw things away (even most of my old Threads magazines, now replaced with the Threads Archive DVD), gave things away (mostly fabrics that I knew I’d never use), packed things up, and started organizing. And it worked, I have a beautiful studio that is so much more fun to sew in and a lovely office. I feel more productive in both areas now. It was long overdue, and I’m so glad the transformation has occurred. I live in the country, and I look out at farms, horses in the fields, and a beautiful valley, and now, finally, the view within is as nice as the view without. 

Threads: Do you have any advice for people starting out?
Susan: Just do it, because the more you do it, the better you’ll get. Get good instruction; become a thinking sewer (that is, allow yourself to figure things out to get to know the logic of our art), and just keep at it. Visit exhibits; read all the good books, especially the ones that will inspire you visually; and just keep raising the bar.

If you’ve ever had the pleasure of taking a class taught by Susan, or you’ve had the opportunity to meet her in another manner, please share your story with us. To learn more about Susan, visit her website, SusanKhalje.com.


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  1. Interpretations | | #1

    I have been blessed to learn from Susan in 3 of her classes. I cannot thank her enough for her insights, advice,instruction and friendship.

  2. CoutureSewer | | #2

    I will be taking my 4th class from Susan this summer and to say she is my mentor is an understatement. She has instilled in me the satisfaction of sewing with perfect fit and perfect techniques. I am grateful for everything she has taught me and look forward to many more classes.

  3. User avater
    sofia1990 | | #3

    Hi, I first learnt who Susan was from a program on television, I really enjoyed Susan's show immensely,she inspired me so much, If I lived close by, I would have loved to have joined Susan's classes. I love sewing! Happy sewing to all.

  4. veras | | #4

    I had the privilege to attend a class taught by Susan and she is the epitome of an excellent teacher: patient, open, good-humoured and so generous in sharing her knowledge and experience. Time flew by even during some rather tedious steps (tying off endless thread tails!). I hope to take more classes from her soon, but until then the experience of learning from her will carry me throughout my projects.

  5. WhiteBow | | #5

    I took Susan's bridal couture class at The Sewing Workshop in 1998, in preparation for my own wedding. What I remember about Susan is that she is as tactful and patient and encouraging as she is knowledgeable. She is truly a wonderful teacher--not only does she have superb couture sewing skills, but she is talented at teaching those skills to other people. She created such a pleasant atmosphere in the classroom. I would love to take more of her classes and I just wish I could afford to go on her Paris trip! Thank you, Susan, for your wonderful teaching. I truly enjoyed every day of that class.

  6. TsialosGirl | | #6

    I have always wanted to learn to sew, and took a few lessons with a private teacher in Atlanta, but was so disappointed with the quality of the instruction. I found Susan's website and immediately signed up for one of her couture workshops in 2008. The closest one was in Denver, but it was worth the ticket, the tuition, and the one week of vacation time. Susan compares couture sewing to gourmet cooking, and she is absolutely the Julia Child of couture sewing. Amazing quality, expertise, knowledge, and passion. In a world which stresses shortcuts and quantity over quality, Susan is a sewing anachronism, in the best possible way, and a truly talented teacher. If you EVER have a chance to take one of her classes, do it!

  7. user-7176394 | | #7

    I appreciate you.

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