Add Zip to Men’s Shirt Patterns Using Style Lines and Contrast Fabrics
Slot seams bring unique style to men's shirt patterns.I’ve been sewing men’s shirts for 10 years, using commercial patterns almost exclusively. What I’ve learned is that most shirt patterns are standard, since, unlike women’s fashion, men’s clothing has not changed radically in the last century.
The shape and size of collars have been tweaked through the decades, as has fit—some decades loose, other decades trim. Nevertheless, in almost every men’s shirt pattern from the last 100 years you will find two fronts, one back, two sleeves, one yoke, and one collar—sometimes one-piece (as in a camp-collar shirt) and sometimes two (the classic collar stand/collar combination). You may often find a pocket as well, especially on casual shirt patterns.
Make classic shirts unique
Let’s say, however, we want to make something unusual. There are two excellent methods for creating your own look while sewing with commercial shirt patterns:
• Play with pattern mixing while adhering to the standard pattern pieces in the envelope.
• Customize the pattern itself by adding style lines. Style lines are seams that don’t contribute to the fit or shape of a garment but add visual interest.
Here are some examples of both methods from my creations.
Use contrasting fabrics
I’ve long been a fan of combining different fabrics to add unique touches to my shirts. There aren’t many rules to follow here. You’re the designer. It is important, however, to be sure the fabrics you’re combining work well together aesthetically and in terms of weight and hand. It’s usually best to keep fabric types together, i.e., cotton with cotton and wool with wool. There are exceptions: A wool overshirt might have a soft cotton or smooth silk collar stand facing.
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This is wonderful. I’ve color-blocked my husband’s shirts before and have added some decorative strips to collars and pockets, but this is so much more exciting. Thank you.
I love it!!!! Here is a tip from the quilting world. When working with fabric that shifts and grows, starch it to death before cutting out. Make sure to “press” the fabric, don’t “iron” back and forth. Judy
After showing this design to my husband, he felt that all of these seams would be too rough. I think that this could be overcome by lining the entire shirt and proceeding with the top stitching etc. as if just the salvages were being lined.
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