Hurrah for Hollywood II
Photographing Threads’ back covers is more involved than it appears. First, Gloria Melfi, the art director for this project, and I flew to Los Angeles where we spent the first day pulling garments from the vintage collection at Western Costume. We had two packed racks of clothes before turning to our studies. The second day we studied the age and construction of the garments. We recorded their catalogue numbers and measured all of the design details. I sketched construction elements so we would be able to accurately duplicate them for How Did They Sew That.
On the third day our New York photographer, Jack Deutsch, and his assistant Rob Berezowski came with all of their equipment. We were supplied a “dressing room”. The room is well equipped with refrigerator, sofa, and stage. We were also supplied with three dress forms. One of them was Dorothy Malone. (Last time we used Audrey Hepburn, but she was busy this day.)
Dorothy has a slightly different shape than Audrey. We use dress forms because some of these clothes are quite fragile and mannequin arms and hands are hard to dress.


Posted on Feb 23rd, 2011 in sewing, online extras, designers






















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