Roll Hemming a Curve Made Easy
This blog post is excerpted from a section I wrote for the book: 1000 Clever Sewing Shortcuts & Tips, by Deepika Prakash from PatternReview.com.
Just so you know, 100% of the royalties generated from this book go to breast cancer research.
Working with lamé fabrics:
Lamé fabrics are regarded by some as too difficult for any but the most experienced. This isn't true-with a little information, and a little practice on the scraps of the fabric you are working with, you will get polished results.
Lamé is the French word for "blade", which refers to the appearance of the yarn under magnification-imagine a very tiny strip of tape. This is what the lamé yarn looks like.
So, I refer to these fabrics as lamé fabrics, instead of "metallic" fabrics, because of the varying appearance of the yarns. For the look of metal, the yarns can be made from actual metal, or man-made materials. Metal yarns have a richer luster than man-made, but they are difficult to work with, and may tarnish or darken over time.
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These examples are made from man-made fibers and present fewer challenges. Consequently, you can cut it with a hot knife against a sheet of glass and the seam allowances won't fray. |
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When sewing lamé fabrics, it's helpful to sew with paper. I've found that a roll of cash register (or adding machine) tape is good for this purpose. It is thin enough to tear easily, but heavy enough to control the fabric.
Pin the cash register tape to the front side of the fabric.
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Turn the work over, and cut the paper to match the cut edge of the fabric. |
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Turn the work back over, so the paper is on top before sewing. Re-pin so the pins are on the top.
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Stitch through the paper and fabric, 1/8" in from the cut edge of the paper. |
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Take the work to the pressing table. This is what the work looks like after sewing. |
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Turn the paper to the wrong side of the fabric, rolling the fabric over the cut edge of the paper |
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Press the edge flat. |
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Edge stitch 1/16" to the right of the folded edge. |
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This is what the finished work looks like. |
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Tear the paper away from the work, as shown. The will remains there.
If you're concerned that the paper will "read" through, you can color the paper with permanent markers, or use the variation shown below.
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Here is the result: |
A Variation:
The above hem works well for opaque fabrics, because the paper caught in the roll of the hem isn't visible. If you are working with a translucent or sheer fabric, you don't want to see the paper. If the fabric can stand being washed, you can make some substitutions:
Instead of the cash register tape, use strips of water-soluble stabilizer (Sulky Fabri-Solvy is a good choice). When sewing, for lamé use the fine monofilament thread for all sewing. Once the sewing is finished, dissolve the stabilizer, and press dry. You will have a sheer hem!
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Comments (39)
Posted: 12:52 pm on October 28th
Posted: 1:11 pm on September 18th
I wish there were another solution.
Posted: 8:16 am on June 25th
Any advice is appreciated.
Thanks. Kate in B-ton.
Posted: 9:10 pm on June 24th
Posted: 8:45 am on June 18th
Posted: 8:50 am on June 12th
Posted: 7:03 am on June 11th
Posted: 6:44 pm on June 10th
Try paper clips. binder clips, or any other clamping-type device, similar to what you'd use for sewing leather. Also, if you buy the really good silk pins that Susan Khalje sells, you'll also avoid this problem.
Posted: 8:26 am on June 1st
Posted: 10:52 pm on May 31st
Posted: 3:39 pm on May 31st
Really the method for hemming the curve works on any fabric, not just lame. This excerpt happened to be from a longer piece on working with lame' fabrics, so the bonus information here was using the stencil cutter to cut the lame' so it doesn't fray. So the headline is really the point of the post, but sorry for any confusion I may have caused by not mentioning the lame' fabric in the headline!
To NinaLBoston: Yes, you can use the stencil cutter on any man-made fiber that is thermoplastic (nylon, acetate, polyester) but not on the cellulose-based fibers (rayon). It doesn't work on natural fibers, however.
Posted: 8:24 pm on May 30th
Posted: 2:53 pm on May 30th
Posted: 2:53 pm on May 30th
Posted: 1:57 pm on May 30th
Posted: 1:38 pm on May 30th
Your techniques make my sewing more fun!
Posted: 1:13 pm on May 30th
1) If it needs to be close-fitting, consider an underlining that can be cut slightly smaller and seamed with the lame; this puts the stress on the underlining fabric instead of the lame, and also supports the lame.
2) If the fabric is heat-safe, apply a flexible fusible interfacing such as French Fuse to the underside.
3) If an underlining or interfacing isn't appropriate, reinforce just at the seams with a fusible seam tape.
4) Use a longer stitch length.
5) Use a ball-point needle, such as what is used for knits.
I'm sure others will have more ideas, but those are my initial thoughts...
Posted: 12:52 pm on May 30th
Posted: 9:51 am on May 30th
Posted: 9:10 am on May 30th
Posted: 8:12 am on May 30th
Posted: 8:01 am on May 30th
You want to trim the paper to match the curve of the fabric, instead of trying to keep the edge of the fabric even with the edge of the tape. This way, you know that both edges are lined up exactly and correctly, and you can sew an even distance from the edge all the way.
Posted: 8:00 am on May 30th
Posted: 6:48 am on May 30th
Posted: 6:15 am on May 30th
Posted: 11:41 pm on May 29th
Posted: 11:20 pm on May 29th
As for the foot, this is just the transparent sewing foot on my Bernina--nothing special. I find I use that as my standard foot on the machine now, because one can see through it.
And yes, it can control other fabrics--I use this sometimes on chiffons and other slippery fabrics.
Posted: 10:47 pm on May 29th
Posted: 9:56 pm on May 29th
Posted: 9:43 pm on May 29th
Posted: 8:24 pm on May 29th
Posted: 8:13 pm on May 29th
Posted: 8:07 pm on May 29th
Posted: 7:30 pm on May 29th
Posted: 7:11 pm on May 29th
Posted: 7:02 pm on May 29th
Posted: 6:06 pm on May 29th
Posted: 5:50 pm on May 29th
Posted: 5:47 pm on May 29th
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