A Minimalist Finish for No-Fray Fabrics
comments (15) December 14th, 2009 in sewing, tips & tricks, garment construction, fabricWhen I work with fabric, my Gemini traits take over. At times I want to pleat, tuck, fold, ruche, quilt, twist, and manipulate the dickens out of it to create great detail and surface design. At other times, I just want to leave it alone as much as possible. And when it’s a great fabric, that’s all you have to do.
A few years ago, on separate occasions, I bought a piece of wool fleece and a piece of boiled wool. The colors were so great – my favorites – and they each felt like cozy blankets to snuggle up in. I wasn’t sure what I was going to do with either of them, but I knew it would come to me. I also realized that whatever I made, I could overdo it if I added facings and interfacings and linings. So I used the minimalist approach and I couldn’t be happier. They’re perfect garments for the climate I live in. The tailored silhouettes satisfy the traditionalist in me, while the lack of added structure gives them a modern edge and comfortable wearability.
The fabric doesn’t fray at all, so it’s really not necessary to finish the edges. But a little topstitching and edgestitching gives them a bit of legitimacy. The patterns, of course, are on the out-of-print list. But, in case you’re interested and want to do some searching – the green fleece jacket is an Issey Miyake design, Vogue 1481 and the pumpkin coat is by Calvin Klein, Vogue 2236. There are other fabrics that might lend themselves to this same type of treatment – like wool melton and synthetic leather and suede. Follow your instincts – and listen to the fabric, too.
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Stitching along the edges adds a finishing touch to single-layer garments. |
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Topstitching is done 1/4 inch from the edge; edgestitching right along the edge. |
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Pressing the seam allowances to one side and topstitching them down from the right side gives a great line detail to any garment. |
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The Miyake jacket called for overlapping the sections. Whew! It would have been tricky to seam all the points and V’s. |
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To support the buttonholes, I cut rectangular “patches” and sewed them in place; straightstitched an oval through both thicknesses to create the buttonhole; and cut it open. |




















Comments (15)
Posted: 8:05 pm on February 8th
Posted: 1:53 pm on January 4th
Posted: 3:11 pm on December 31st
Great topic
Posted: 5:28 pm on December 24th
Posted: 8:46 am on December 19th
sharing these tips--valuable for an advanced beginner sewer like me.I was giggling with your Gemini description--I'm a
Gemini too,forever split!
Posted: 3:35 am on December 19th
And, if you want to learn more from me, I'll be teaching it at the American Sewing Guild conference in Atlanta in August in a class I call, "The Softly Tailored One-Layer Jacket."
Posted: 7:19 pm on December 18th
Both patterns include a collar stand so there's that extra piece to consider, but I basically attached the stand and the collar by overlapping the seams or sewing the right side of collar to wrong of jacket and topstitching the seam allowance down much like a flat felled seam with a raw edge.
And you can see most of the backs of each garment in the photos. The Miyake jacket has a center back seam with side back panels that have the cut-out edges. The coat also has a center back seam. And -- I'm running out of space so I'll continue in another comment!
Posted: 6:50 pm on December 18th
Thanks
Posted: 5:04 pm on December 18th
I am absolutely thrilled to see this article, will print it and try it very soon! Thank you for detailing this technique
for me!!
Posted: 10:04 am on December 16th
Posted: 6:01 am on December 16th
Posted: 8:14 pm on December 15th
Posted: 8:13 pm on December 15th
Posted: 8:10 pm on December 15th
Posted: 9:39 pm on December 14th
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